How to Cook a Weed

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invasive, feral watercress (Nasturtium officinale)

We exist at a turning point. Our world has changed dramatically since the last millennium, but no century has been so dauntingly transformative as the last. Not only is our climate changing rapidly, not only is a great extinction underway (perhaps the greatest, perhaps the last), but we have finally become aware of the endpoint of our resources, and the limit of our invention. It is not enough anymore to keep the machine in motion. We need to apply some brakes. We need to remember how we got here. It is not enough to stop using straws, or bring canvas bags to the supermarket. We need a massive rethink in terms of how we interact with our environment, and food is at the forefront of that interaction.

I am intending to present not a manual for that rethink but a simple volley in the effort, a salvo lobbed at the ceaseless farce of endless growth. There is no permanent economic growth that will not reduce this planet to a sobbing, shrieking wretch. And not for the benefit of the faceless masses, but for the gain of a very few at the expense of the very many.

Most corrupted and most casually ignored are our food systems (clothing also comes into this, but the stakes are higher economically and that is not the subject of this volume). We are not the architects of this, but the unwilling participants–20th century consumption made us acclimated to food in plastic wrap, ingredients as commodities, food severed precisely and sharply from its source. Meat isn’t animals, it is flesh drained of blood and wrapped in styrofoam packages. Vegetables aren’t plants they are Californian-grown produce, shipped across the country in massive Diesel vehicles. Plants come in cans, in plastic freezer bags, in joyless shrink and sleeves. We have lost the thread connecting us to our food.

Just a few generations ago, most of our grandparents and great-grandparents existed in a transitional world. Industrial growth and technology impacted their lives massively, but attached to that incredible change was a sense of connection with another world. The world of self-sustenance, of the working and (dare I say it) peasant classes which revealed to them a set of knowledge and tools which connected them much more tangibly to their food sources. Of course, this is a generalization, and largely a class based one. After all, landowners in the Middle Ages were just as severed from the source of their heavily-laden feast tables as modern oligarchs. The difference is that now this disassociation effects almost everyone in the developed world.

My grandmother raised four children by herself, and supplemented their diet with wild foods. But this connection to the folkways of wild food did not descend directly to me. Although my mother did show me that the invasive wineberry was edible, and I happily munched on honeysuckles as a child, this knowledge was not inherited. I became interested in wild food as an outgrowth of cooking, and an interest in ecology and sustainable lifestyles. Most of what I have come by has been self-taught, aided by print and internet resources, as well as experimentation (within the margins of safety of course). I say this mainly to demonstrate that no matter how far you might be disconnected from the world of the food knowledge and skills of your ancestors, it is a connection you can re-establish. It doesn’t take a lifetime, either–just an interest and the right resources. I aim for this site to be one of those resources, and to guide you to many others.

Along the way I also want to change the way you think about food sources, the environment, cooking and life. My goal is not to provide you with an encyclopedic overview of every wild food but some of the most essential, most common, and most widespread across the temperate parts of the world. The cooking techniques and recipes included in this site are fundamentals, simple presentations, what is known in Italian as cucina povera, the cooking of the poor. A few things may seem complex or challenging at first, but I promise that with practice many of the more involved or unfamiliar processes (like fermentation) will become second nature. All of these techniques formed part of the daily cuisine of the nonnas and farmhouse wives that nourished many generations of our ancestors. And I promise you that, whether your tradition is European, or Indian, or Japanese, or anything else, these women incorporated wild foods into their cooking. Mainly out of necessity, but also out of knowledge of their nutritional aspects, medicinal benefits, and flavor.

As our world transforms dramatically, it might be some small comfort to realize that we can rediscover this knowledge, and explore new ways of sustaining ourselves that are less impactful and far more healthy than the supermarket cooking we have all become used to. One advantage of how aggressively our agriculture and industry have transformed the landscape is that it creates the perfect environment for adaptive, vigorous, invasive plants which are the fundament of wild cuisine. These are the so-called weeds, neglected and often despised. If we can learn to honor and celebrate them, if we can learn how to cook a weed and cherish the food we can make from them, we will not only reconnect with our not-so-distant past but create a path which can help minimize the damage we do to this planet every day with our current foodways.

I hope you will join me in discovering how exciting, delicious, and mindful this food can be.

Wild Bark Teas

In the throes of winter, gathering wild food often takes a backseat to using up what we have dried, fermented, frozen, or preserved. On the other hand, for those who hunt, the season has the added dynamic of being far more active. Shellfish, too, are at their prime. For freaks like me there is always the lure of ingredients transformed by the extremes of the season–conifer needles seem especially aromatic. The residual fruits that linger have been bletted to the point that deep, resonant flavors emerge.

But no matter what your winter kicks are, there are still a number of ingredients that have particular resonance in the fourth season. Prime among these are the sapling twigs of various edible / useful trees, which have a haunting aroma and deep flavor, and can be used not just as hot cuppa refreshers, but also as brines and pickling mediums, or infused into stored up goodies like honey, alcohol, wine, salt or sugar.

In winter, the energy of most herbaceous plants is tied up in their roots. But saplings and trees focus on creating buds and new growth, in order to prepare for spring. This makes for a period in which whole new categories of identifying and appreciating the trees of your area become available. It also means that some of these bits are full of flavor and aroma, especially amongst the thickets of saplings one finds with certain native trees, as well as those that are setting buds to flower in early spring, such as spicebush.

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A mature sassafras tree with its warm, lightly reddish bark
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Mature sweet birch tree, with its characteristic grey-black bark.

We won’t go hog wild here, but focus on three trees that I use extensively in the winter, all of whom have very distinct aromas which once you have become accustomed to are unmistakable for any other plant or tree. Patches of these trees are best located during the growing season when you can confirm their identity based on other characteristics such as leaves, fruit, flowers or catkins. Of course, there is also no reason one can’t use the bark year-round, but it is an especially welcome addition to the basket in winter. To check your saplings for smell, crack a fresh bit of new growth so the inner bark is exposed and get a strong whiff of it. If you have a lack of scent, you may have the wrong tree, or perhaps one which is weak and not worth collecting. This is especially the case with lower-hanging branches of older sassafras trees, which often become brittle and weak in flavor as they die off.

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Young, vigorous saplings of sassafras often have a green, bright brown or reddish cast to them. The outer bark slowly begins to become more knotty and textured as well.

Sassafras (Sassafras albidium)

Many foragers know of the incredible taste of sassafras roots, and some will have used the leaves for a seasoning and thickener (known as filé gumbo to Creole cooks), but the vigorous young growth of saplings and twigs have garnered little attention. One is able to approximate the flavor of the root-based tea in a more sustainable fashion by collecting twigs instead of digging up plants, an activity which is also often difficult in the winter months. When gathering sassafras twigs, I look for cleared or semi-maintained areas near a line of mature trees, where one can often find small clumps of young sassafrases growing almost on top of each other. This strategy can be extended to the sweet birch as well, which I tend to collect only when I can find a thicket of them. Sassafras are notoriously weak-rooted trees as well, and one can often find larger specimens toppled after intense storms. In all cases one wants the green or red new growth which is flexible rather than brittle (you will want a pair of bypass pruners to cut these branches, don’t attempt to tear them), and which carries a strong and unmistakeable scent of sassafras. Many compare it to root beer, but I find it a bit more mellow and earthy, less cloyingly sweet than commercially produced soda drinks.

 

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Sweet birch branches range from light brown to almost silvery-black, but all will have narrow leaf buds and an aromatic fragrance like wintergreen.

Sweet Birch (Betula lenta)

Sweet birch trees tend to grow very tall and narrow, seldom having any branches within easy reach. It is best with this tree to locate the small thickets of saplings which will grow, often clustered on sloping ground, near more mature trees. While the adult trees have bark that is almost black, the saplings will be a chocolatey brown to dark grey color, with leaf buds forming in fall and persisting over winter. These buds can be used to make a seasoning salt (as can those of sassafras, or the flower buds of spicebush), but they are also a good indicator of the identity of sweet birch. The saplings tend to grow very straight and upright, with few side branches, never becoming bushy or densely-limbed like spicebush. The scent of the broken twigs is quite similar to wintergreen, and will remind old-timers of traditional birch beer. The taste when brewed is not exactly that of wintergreen, but has a more well-rounded flavor, making for a surprisingly good brine as well as tea. The yellow or golden birch (Betula alleghaniensis) has a similar smell to the snapped twig, but I find its’ flavor to be more on the bitter side when brewed. You may wish to experiment more than I if this tree is common in your area, I have very little of it so tend to leave it alone.

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Female spicebush branch-notice the golden buds which will become yellow flowers in early spring. Spicebush bark is grey, with characteristic “dots” on the bark and an unmistakeable fragrance of resinous, spicy goodness.

Spicebush (Lindera benzoin)

Those who know me know spicebush is a plant I am an insane raving lunatic advocate for. In my area it is most abundant, one of the few natives to have survived the onslaught of invasive plants, canes and shrubs that have slowly taken over our hardwood understory. It is a four-season edible, and probably bears a lot of the responsibility for why I am an advocate of winter foraging. It has a completely distinct scent, but you have to smell it to know it. The most common use by foragers for this bushy shrub has been the ripe fruit, collected and dried in fall to make a kind of “allspice” type seasoning. There are many more ways to use it. In winter, I mostly collect the branches from public parks and maintained trails–spicebush will grow in abundance along the edges of biking and hiking trails, so I try to keep my branch collection to the spots where these bushes will inevitably have to be trimmed and truncated by park officials. I like to think that some of them wonder why their job has already been done, but more likely than not they don’t give it a second thought. If you are wanting to collect flowers of spicebush in the spring, or fruits in summer and fall, I recommend collecting only limbs of male trees, which do not have visible flowerbuds developing. If you do collect female limbs, consider stripping the tiny spherical flowerbuds to make capers or a seasoning salt.

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Sweet birch branch brewing up into an excellent winter tea.

Wild Bark Teas and Brines

Any of these three trees will make an excellent tea, a process best done in either a stockpot held at very low heat or a slow-cooker on warm or low setting. I greatly prefer the slow-cooker method. It is easy, stress and attention-free, and I never have to worry about the process boiling over. While I don’t think any real damage is done to the nutrition of the tea by boiling (unlike conifer needle teas, which lose their Vitamin C content), it does no favor to the flavor, and generally increases the bitterness of the end product. One thing that certainly must be done, whether making this tea in a slow-cooker or on a stovetop, is to strain the finished tea through cheesecloth or clean kitchen towels. Wild barks tend to have saponins in them which will concentrate on the surface of the tea (they will look like small amoebas or spots of fat), but these are easily removed by straining through cloth. I use the same ratio of liquid to twigs/bark that I use when making coniferous trees, about 1 oz. of material for every 3 cups of water. The same 1:3 ratio applies naturally for a metric measure, I tend to use 200 g for every 600 g of liquid. Note that this is weight of dry ingredients vs. liquid measure for water.

The resulting tea can be drunk as is, chilled or mixed with sugar and chilled, salted and turned into a pickle brine (use 3-5% salinitiy depending on your ingredients to be fermented), or salted and used to brine meats (especially good with pork) or other ingredients for cooking (usually you will want more like 8% salinity, with the amount of time resting in the brine depending on the weight and muscle density of the product being brined). They make excellent kombuchas, either combined 50/50 with tea or raspberry/blackberry leaf Kombucha, or in their own right with a SCOBY and a bit of active kombucha simply added to the wild bark tea. I have enjoyed single flavor teas and brines made with only one of the above mentioned teas, and I have also used two or all of the barks combined to make a complex, multiple bark tea.

If you have a slow-cooker with a warm setting or a clippable thermometer you can also create a basis for a wild yeast beer or mead by making this tea, just be sure to keep the temperature below 140 degrees F, at which point the wild yeast which is abundant in the bark will be killed off. Another option is to replace water in a brew boil with wild bark tea, and then cool before pitching with conventional brewing yeast.

All three of these wild barks also make excellent syrups, individually or combined, which can be started as a simple syrup (1:1 sugar to bark tea or 2:1 sugar to bark tea), but which can also become sorbets or granitas, or indeed the branches may be infused in milk for ice creams or gelati. Infusions in wine or spirits also produce strong results, although for sassafras extract (comparable to a vanilla extract) I tend to prefer the roots for maximum concentration of flavor.

Cold brewing and infusing with these barks is also an option, but I have had much more success with them used as aromatic components in a botanical mix (for vermouth, bitters, or honey-based infusions) as opposed to a “sun tea” or cold-brewed tea which I do not think extracts enough flavor and is certainly more dicey health-wise. I suggest a hot brew to create a liquid base and then proceeding from there in all applications using wild bark.

Perhaps obvious to some, but certainly worth mentioning : since all these thin saplings and twigs are harmless in every way for food use, so they also make excellent kebab skewers! As a child, I used to gnaw on sweet birch sticks and even today a little nibble of sassafras or spicebush bark can provide stimulation on a long winters hike.

A Sustainable Mind Podcast

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I had the great pleasure earlier this month to be interviewed by Marjorie Alexander for the incredible A Sustainable Mind podcast. Marjorie highlights people who are doing some truly inspiring work around issues of ecology, food waste, reusable energy, sustainable living and a myriad of other matters that all relate very closely to the issues that are close to my heart. I feel honored to be included amongst these folks who are contributing in a much more direct way to facing and resolving what is one of the great crises of our times.

It is my firm belief that living more simply and in greater harmony with nature is one of the most important and personal steps we can take in life. I urge you to think about the sustainability of your actions every time you collect wild food, to understand and acknowledge the relationships of the plants and wildlife around you and make decisions based on the needs of the community at large. Remember you are part of a much larger whole.

Too often in foraging literature, the focus is on what you can eat. I would like to encourage you to think more deeply about what you should eat.

Listen to the podcast here.

iTunes link here.

Forest Vinegar

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A late October scene in the Oak-Hickory Forest

Even for those of us who visit the woods nearly every day, there is something undeniably enchanting about a forest on a warm, clear day in autumn. I notice too, when I am in state and national parks that other people feel the same way. At no other time of the year are the woods so crowded. The aroma of the forest at this time of year is something truly special, the scent of fallen leaves and fungi, of pine needles and juniper branches filtering the autumn winds.

There are a number of excellent ways to capture this flavor, from pine family teas to juniper berry-laden pickles, bark and twig beers and wild sodas, and jams and sauces made from late-season fruit. The autumn is prime harvest time, with drying racks laid on every surface to preserve mushrooms and herbs, fruits and nuts. One of the best ways to incorporate this pantry of wild foods into everyday-use items is to make an infused vinegar. Single-ingredient vinegars are of course a perfectly fine way to experiment with flavors, but to me nothing beats an complex medley of seasonal flavors infused into a good cider, apple scrap or wine vinegar. At its’ best a forest vinegar is nuanced and sophisticated, and can lend a unique flavor and touch of personality to foods as diverse as your everyday salad, a jar of pickles, a marinade, or a finishing sauce.

I am going to present this recipe in two ways, first as an example of one of the forest vinegars I have made, second as a simple list of seasonal ingredients to experiment with, with a number of suggestions as to bases. You should feel free to experiment pretty widely with infused vinegars, just remember a few basic rules :

1. Sterilize your infusing vessel, and keep everything submerged while the flavors are infusing.

2. You may find a mother forming on the vinegar, like a kombucha SCOBY. This is natural and even desirable. You may also notice fermentation activity if you use ingredients that have wild yeast, such as juniper berries. This is fine, and generally dies off after a bit. I would suggest not overloading a vinegar with too many yeast-bearing ingredients to avoid an excess of activity.

3. Don’t overload the infusion with ingredients, allow for some space for the liquid to circulate and the flavors to mix thoroughly. I have tried using large quantities and shorter infusing times and the flavors come out strong but less-integrated. The longer these very disparate materials spend in each others company, the more they will rub off on each other and create a complex harmony of flavor.

4. Know when to strain. Strain when your tastebuds tell you to strain. Don’t hold out for the promise of more flavor, especially if you have a concentration of bitter ingredients. Bitterness develops over time–a good example would be the chinese bitter orange (Poincirus trifoliata), which makes an excellent vinegar but will turn quite bitter if the oranges are left in for more than a few days. If you find the infusion beginning to taste too bitter for you, strain it immediately. Better to have a weak forest vinegar than one that is unusable.

5. Know the flavors of what you are using – don’t just chuck something in because it is cool and you know it to be edible. This is especially true of ingredients with strong or bitter flavors–a heavy concentration of things like turkey tails or juniper berries may overpower a subtle blend of other less assertive flavors.

The following recipe makes a great batch of vinegar, and is a good starting point to experiment with. If you’re a total novice but can assemble the ingredients, it’s a safe and stable recipe to use as is. As you become more familiar with ingredients, and fine the ones that grow locally to you, it’s a good basis from which to add or remove ingredients as whim and season dictate. Because I am posting this in Winter, I’ve chosen a recipe which uses only ingredients which are still fairly available or were dried in late autumn (the mushrooms). The oyster mushrooms can be store-bought or you could even use conventional mushrooms, they are present mainly to round out the flavor of the stronger turkeys tail.

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Forest Vinegar #3

Combine in a large jar :

2 oz toasted hickory bark, broken into pieces

1 oz pine needles, cut into pieces

1 oz spicebush twig, broken into pieces

1 oz hemlock branches, cut into pieces

1/2 oz dried oyster mushrooms

1 oz dried turkey tail or dryads saddle mushrooms

1 1/2 oz rosehips from Rosa multiflora or cultivated rose

6 cups apple cider or apple scraps vinegar, homemade or good quality (look for brands with “the mother” like Bragg’s)

Cover and keep ingredients submerged, shake or stir regularly and allow to infuse until the flavor is to your liking. I usually allow at least three weeks to infuse this combination, you may also find that it infuses faster or slower depending on ambient temperature.

There is really no limit to what can be added to these vinegars, and below I’ve included two lists of seasonal ingredients that are often available in my location (Northeast US). Obviously some of these may not persist in winter in some locations, but in general even faded or dormant edible plants can provide useful flavors. A handful of worn and weathered mugwort flowerheads in December or some brick cap mushrooms past their prime can often bring a subtle flavor to infusions that might be overwhelming were the parts used when in the full bloom of their season. The key here is to work with small amounts of various ingredients to create subtle effects, never allowing one flavor to dominate the proceedings. Remember that strong-flavored ingredients create strong-flavored results. This list is by no means exhaustive, just a jumping-off point really.

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Another late-autumn Forest Vinegar, with bayberry leaf, juniper cone, sweet birch twig, sassafras root and birch polypore fungus with other aromatics.

Winter ingredients for Forest Vinegar

Roots (sassafras, wild carrot and parsnip, burdock, pushki, smilax)

Needles & Branches (pine, spruce, fir, hemlock, arbor vitae)

Twigs (sassafras, spicebush, sweet birch)

Fungi (turkey tail, birch polypore, oyster mushroom, wood ear, brick cap, velvet foot, chaga)

Fruits (LInden viburnum, blackhaws, juniper, crabapples, persimmons, cranberries, Highbush cranberries)

Leaves (wild chervil, garlic mustard, northern bayberry, deadnettle, ground ivy, bittercress, wintergreen)

Persistent dried tops of autumn-flowering aromatic plants (mugwort, wild carrot, goldenrod)

Autumn ingredients for Forest Vinegar

Including most of the above, plus :

Fallen Leaves (beech, maple, mulberry, oak, black walnut)

Fungi (too many and varied to list, but boletes, oysters, dryads saddle, and resinous polypore are all good for flavoring vinegars)

Fruits (apples, pears, silverberries, paw paw, persimmon, bitter orange, quince, spicebush)

Leaves (wild bergamot, northern bayberry, mugwort, wild carrot, pushki, dandelion, asiatic dayflower, quickweed)

Flowers (goldenrod, evening primrose, chicory, wild mustards, new england aster)

Seeds (pushki, wild carrot, nettle, evening primrose, wild mustards)

Nearly Wild Curry Mix

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Curry powder always seemed to me a shabby thing to buy, it being so much more interesting to work with the whole spices themselves. I was spurred on by one of the first cookbooks I ever bought, a collection of recipes and information about spices published to sell the goods of a local spice importer. By understanding the spices individually, I was able to experiment with them culinarily, adding more or less to a mix depending on what I intended to do with them. Cardamom and cloves, for instance, could be added if I was using a mix to spice tea or desserts with. I would add more dried curry leaves and turmeric when making a mix for fish.

When I began to seriously incorporate more of the native and invasive wild spices of the world of wild food, it wasn’t a great stretch of the imagination to start to envision a masala or curry mix made entirely of foraged aromatics. And while an excellent entirely wild curry mix can be made, I usually find that I miss the cumin acutely. For day to day use and especially when replacing imported curry powder in traditional recipes, I have settled on a curry mix that is “nearly wild,” relying only mainly on foraged ingredients. It is also quite flexible, and may be adapted, altered or expanded by anyone who uses it, with many replacements or omissions possible. I believe it can be used in most temperate climates without too much trouble, assuming the availability of traditional imported spices to replace what cannot be foraged.

I have omitted any turmeric or substitute for turmeric in this recipe. To many, the taste and color of curries cannot be separated from that spice. Now that organic fresh turmeric is much more widely available, I use it in these curries, when it can be added at the time of cooking. You may wish to add that or the powdered form to affect a more traditional coloration. I sometimes add annatto seed instead for “local color,” but of course the color is a different one. Below is the recipe, see notes after the recipe for information on substitutions. I have deliberately split the list of ingredients into three groups.

 

Combine :

 

1 ) essential bases

1 tbs. black mustard seed (wild or domestic)

1 tbs. cumin seed

1 tbs. wild parsnip or pushki or coriander seed

1-2 tsp wild carrot seed (optional, omit if using coriander seed)

 

2) optional aromatics

2-3 northern bayberry leaves or 1-2 bay leaves or 8 curry (kari) leaves

1-2 tsp ripened (red) spicebush berries, dried or 1/2-1 tsp allspice

1-2 magnolia buds, dried or pinches of magnolia leaf or 1 clove

1 tsp american juniper berries or 1/4 tsp european juniper

1-3 eastern hemlock cones

 

3) “hot” or piquant aromatics

1-2 tsp prickly ash berry or sichuan peppercorn

1-3 tsp waterpepper seeds (or 1/2-1 tsp black peppercorns)

1-2 tsp chile flakes or 1-3 small dried hot chiles

 

Combine all the above in a heavy pan and heat over low to medium heat, tossing every thirty seconds or so, until the spices are toasted and fragrant. You can also store the mix, combined and use as whole spices in pickles or broths, or toast and grind it to order, which will give the best flavor. My only advice would be to use the whole recipe when grinding or using to infuse, as the many different-sized and shaped ingredients tend to separate themselves in the jar.

The trinity of mustard-cumin-wild parsnip is essential to this mix, nearly everything else can be omitted or varied. If using domesticated mustard seed, the variety to use is the brown or black mustard seeds preferred in Indian cuisine. Wild mustard genera which produce seeds that can be used for this include Brassica, Lepidium, Barbarea, Thlaspi, etc. Wild parsnip or pushki (Heracleum maximum, other edible Heracleum species can be substituted) seed, along with wild carrot seed all bear some resemblance to family member coriander. Pushki and wild parsnip have a drier, earthier flavor to them while wild carrot is spicier and lightly citrus-y. Always remember to avoid wild carrot seed if pregnant or desiring to become so–while I doubt that the small amount involved would have much effect unless consumed in massive quantities, wild carrot seed is traditionally considered an abortifacient.

The second group of aromatics are all wild but any can be omitted or substituted with the imported spices listed, with the exception of hemlock cones, which really have no parallel. If there is one wild spice in this group that I would strongly recommend investigating (and not replacing with allspice, which is a paltry substitute), it is spicebush. Native to the eastern US, it is a native understory tree which produces a green berry in summer that matures to a deep red in autumn. It is resinous and pungent and can be used ripe or unripe, fresh or dried. It has become inseparable from various curry mixes and is the most distinctive background player in this recipe, in my opinion.

Heat can be regulated by adjusting the last group of ingredients, which is in part why I have left a range for those items. I would describe this mix as moderately spicy, but not extremely so, even if using the larger numbers and including all three hot items. For a heavier spice, simply add more of whichever piquant aromatic you prefer.

Acorn & Potato “Burgers”

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This is an eminently simple preparation, adapted from a traditional German recipe. My eternal thanks to Steffi / Sycamore Spirits for translating this and many other recipes for me from a cookbook brought to the states with her from Germany. Though acorns are considered largely a famine food in most of Europe, they aren’t really thought of as food at all here in the US, even though they formed a substantial part of the diet of many early settlers.

For me, there is likely no more significant wild food in my diet than acorns. Not perhaps, in terms of quantity – but in terms of importance. I look forward with great eagerness to harvesting acorns in the fall, for while time-consuming it is a supremely relaxing activity. Processing acorns, too may be an exhaustive activity but it pleases me to no end, and there are few wild food products I treat with more reverence than a jar of pickled acorns or a tub of acorn flour.

These acorn burgers use the latter, combined with milled or pureed potatoes to make a burger that is soft, somewhat fragile and has an amazing rich umami flavor. Unlike a lot of “veggie” burgers it doesn’t rely on pulses or TVP so it melts in your mouth, the way a properly cooked burger does. You don’t need particularly finely-ground flour for this, but you do need to process the potatoes so that they are fluffy and light, so a food mill, ricer or other form of fine-processing is required.

Combine a mixing bowl :

1 1/2 cups riced or milled cooked potatoes

1/2 cup acorn flour (preferably cold-leeched red oak flour)

1/3 cup grated onion

1 tbs prepared mustard (preferably high quality whole-grain or homemade)

salt to taste

freshly ground black pepper, optional

Mix the ingredients by hand and form into small patties. This recipe usually makes four burgers, about 3.5 oz each before frying. I usually fry the patties in a small amount of oil until brown and crispy on the outside, but you can also bake them at high heat.

The original recipe calls for the burgers to be stuffed with meat or sautéed mushrooms, and this can be done (I would recommend adding a few tablespoons of flour first if you go that route). However, I have found that simply adding sautéed mushrooms to the burger is much tastier. These are incredible simply served on a soft roll, with a dab of chile sauce or mayonnaise, some crispy lettuce and a few sliced onions. Really, any way you would prepare a traditional hamburger, falafel, or kebab meat suits them, from gyros to banh mi to Big Mac style double decker burgers. The flavor is deep but quite simple, so goes with almost any kind of topping, pickle or sauce.

 

Oyster Mushroom “Meatballs”

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Oyster Mushroom “Meatballs” with Acorn & Potato “Burgers” – two winter favorites

I love the humble Oyster Mushroom (Pleuratus ostreatus and others) : it appears in our area, in one incarnation or another, in almost every season. It’s dependability reduces it to a minor note in the logs of mushroom collectors – it can often assuage the hurt of not finding more esteemed mushrooms, such as morels in spring or maitake in fall, but few people seem to get excited about it. Some mushroom hunters seem to dismiss or even despise it, but I adore it. While it may not have the deep, rich flavor of a porcini it is a reliable workhorse mushroom and can stand in for more exotic or laudable fungi in spare seasons. More importantly for my needs, it serves admirably as the basis for rich stocks and essences, dries well, and appears in such quantity that it can be used to make mushroom ketchup or soy sauce or put up as mushroom pickles.

Beyond all these virtues, it has a quality that isn’t often celebrated even by its’ enthusiasts, at least not in Western food culture : oysters have a firm, dense texture. While they can be reduced down, or even rendered crisp or dry with enough cooking, the better option is to use them in recipes that celebrate this texture. This is just one such recipe, operating on the principle that finely chopped oysters resemble meat when cooked quickly, allowing their natural texture and moisture-retention to become a quality that assists in a dish with an excellent flavor and a remarkable similarity to meat-based polpette.

Conventionally-grown or home-grown oyster mushrooms can of course be substituted in this dish, you may also find it works with the conventional button mushroom of the supermarket. I recommend using the brown variety, often labelled “Cremini” as they have a bit more structure. If collecting wild oyster mushrooms or harvesting home-grown ones, you will want to collect them when they are firm and have attained at least most of their full growth, but before they become very dry, yellow, and fragile. You will also want to avoid collecting water-logged specimens, or if you do being sure to dry them and squeeze them of excess moisture first.

Combine in a mixing bowl :

5 oz oyster mushrooms, very finely chopped or pulsed in a food processor

3-4 oz onion, grated and squeezed free of liquid or pulsed in a food processor

1/2 cup breadcrumbs, preferably homemade

2 tbs mushroom powder or “bouillon of the woods” (see note)

1-2 eggs or equivalent egg substitute

salt to taste

dashes of mushroom soy, soy, maggi seasoning, or worchestershire sauce

herbs or dried herbs, if desired

freshly ground black pepper or american juniper, if desired

Mix the ingredients with your hands and shape into golf ball-sized “meatballs.” There should be about 12. This recipe can be doubled, tripled, etc. I have deliberately kept the size of the batch in this recipe small, so that you can experiment with the preparation of it and determine how best to process and cook the meatballs. I personally favor chopping the oyster mushrooms by hand, finding that the food processor renders far too uniform a product. If resemblance to meat is your goal with this recipe, however, that may be the route you want to go. I also recommend using both mushroom soy and a dash or two of maggi or worchestershire.

“Bouillon of the woods” is a simple preparation that I make as often as I find chicken of the woods fungi (Laetiporus spp.) that are just a bit too far gone to serve as is. A simple dried mushroom powder can be substituted – for which all you need to do is to grind dried mushrooms in a spice grinder. You may use wild mushrooms you have collected and dehydrated yourself, or dried mushrooms from the fancy or conventional supermarket (it’s actually a fantastic use for the dust or shake found in the bottom of bags of purchased dried mushrooms). For the preparation of my “bouillon of the woods,” I add a pinch or two of salt and a little crumbled wild bergamot, with perhaps another spice or two if desired, to a base of dried and ground chicken of the woods. It is meant to resemble the bouillon cubes found in supermarkets, but in a powder form and with much less salt. Another possible substitute if you don’t have any dried or powdered mushrooms is to use a purchased mushroom bouillon cube, such as the Telma brand from Israel. If a commercial product is used, you will likely want to reduce the amount of salt added.

Once assembled, these can be baked in hot oven, grilled or fried in vegetable oil or other fat. I prefer the latter two options, which tend to keep the insides moist while browning the outside nicely. You can also cook them in a sauce, but I would recommend rolling the shaped meatballs in either a little flour or extra breadcrumbs and then frying first before doing so. If you encounter difficulty in keeping the meatballs together, you may have had too much moisture in your mushrooms. I find that even conventionally-grown mushrooms require a little bit of drying before incorporating into polpette.

While these are quite tasty on their own, especially with a nice sauce for dipping as an appetizer (I love them with blackhaw ketchup), they can also be substituted for pork, beef, or veal meatballs in classic Italian, European, or Asian cuisine dishes. One of my personal favorite ways to serve them is in a dish inspired by Marcella Hazan’s recipe for winter pork meatballs smothered in savoy cabbage.

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the below recipe made with kale and cabbage greens and romaine lettuce

After cooking the meatballs, I cover them to keep them warm and then in a sautée pan heat a little oil or butter. To this I add whatever greens I have available, whether wild or conventionally cultivated, adding the firmer or denser greens first and the more fragile ones later. Cauliflower greens, cabbage, kale, collards and the like are cooked a bit longer, and then blanched wild mustards, wintercress, dandelion greens or even raw watercress or lettuce are added with minced garlic once the firmer greens have softened. A minute or two later, the “meatballs” are then returned to the pan with a little white wine, and perhaps a splash of balsamic or blackhaw vinegar, and the whole is covered until heated all the way through.

This is of course, just one way to do it…

Hickory Syrup

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Hickory syrup is golden, smoky, beautiful and has legs for days…

The Hickory is a characteristically American tree, an irreplaceable member of the great deciduous forests of our continent. It is most known to those with only a casual interest in native trees as the genus which contains the Pecan (Carya illinoinensis), but there are a number of species of Hickory tree which are found, not commonly, but regularly in the woodlands of the Eastern half of the US. The mature stage of eastern hardwood forests is commonly referred to as the “oak-hickory forest,” underscoring the importance of this native tree.

Wild food gatherers will of course be familiar with the Hickory in the form of its edible nutmeats, gathered in the autumn as the nuts drop in their (usually) smooth green and segmented outer shells. While all hickory nuts are technically edible, not all species conform to what we would consider palatable. Within that window of taste, there are also variances from tree to tree. One of the most widely distributed and appreciated for both beauty and flavor is the Shagbark Hickory, Carya ovata.

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Mature shagbark hickory with its characteristic “shaggy” strips of exfoliated bark.

In addition to providing delicious nuts, the shagbark hickory has a bark which can be used to add flavor to smoked or grilled foods, in the fashion of other hardwoods such as apple, cherry and mesquite. Excitingly for our purposes here, it can also be used more directly, in the form of a tea which can be turned into a sugar syrup. This product of the hickory is often likened to maple syrup, but it is different in some fundamental ways. First of all, maple syrup is a natural product which is extracted from the natural sap of trees by a somewhat laborious process. Second of all, maple syrup tastes quite different from hickory syrup. So perhaps not such a great comparison. In terms of use, however, there is a certain similarity – hickory syrup can be substituted for maple syrup in both direct use and in recipes, with of course the knowledge that the flavor will be that of hickory, not maple.

I quite like maple syrup. I don’t wish to demean it in any way. But, to me, hickory syrup tastes better, and is far more interesting culinarily. Those who find maple syrup good but somewhat cloying may agree with me. Hickory syrup has an incomparable smoky, woodsy flavor that is a more complex than maple syrup, something which to my tastes makes it more useful for both sweet and savory recipes. Maple syrup is delicious, but hickory syrup is adventurous. The only flaw that I see is that the manufacture of hickory syrup relies on an outside product to sweeten it, in most cases cane sugar, which is of course an industrialized, tropical plant and carries with it a cost in terms of ecological impact. In its defense I will say that making hickory syrup is one of the best ways to use sugar, a product I generally avoid. And while the amount required is no more or less than one would use to make a simple syrup, the product is one that carries a huge amount of flavor in even small doses, especially when used in cooking and baked goods. Maple syrup is also quite expensive in terms of money if one buys it, and time if one makes it. Making hickory syrup is quick, simple and costs nothing more than the price of whatever amount of sugar one uses.

To produce hickory syrup, one first needs to locate a shagbark hickory tree. The shagbark is quite distinctive, having naturally exfoliated bark which hangs “shaggily” off the tree in large, easy to remove pieces (pictured above). This bark can be collected in any season, but I usually gather it in winter when other wild food options are reduced. First, I scout around the base of the trees I find to see if any strips have fallen to the ground. There is no direct harm done to the tree by removing its bark, but one does run the risk of exposing the inner bark to attack from insects (another reason to collect in winter). It also reduces the natural beauty of the tree, so I try always to take only a few strips from each tree and minimize the impact both ecologically and visually. It does not require a great quantity of bark to make a rich syrup, so I would recommend starting with just a few ounces and seeing how well you like it.

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Toasted shagbark hickory bark, ready to be made into a syrup.

To prepare the syrup, you will want first to toast the bark in a low oven. This works on the same principle as dry-roasting spices before using them in a curry. The heat brings out flavors and aromas in the bark which would be less intense if the bark were not treated in this way. I have made hickory syrup without toasting it first, and it is perfectly serviceable, but not as deep in flavor. To toast the bark, place on a baking sheet in a low (under 200°) oven for 1-2 hours or a slightly hotter one (325°) for a half-hour or so. When I use the higher heat method I turn the bark halfway through. I’m not entirely sure that this is necessary, I am likely just being fussy.

Once the bark is toasted, allow it to cool and then prepare a tea from it. I generally use a ratio of 4-5 ounces of dry bark to 6 cups of water. Bring close to a boil, then cut the heat and allow the bark and water to simmer until the amount of water (now dark and flavorful) has been reduced to a third of its original amount. The amount of time this takes will vary greatly, so the best way to proceed is simply by measuring, reducing, and measuring again until one gets the liquid down to a third. I have prepared this tea with amounts as small as 2 oz of bark and as high as 1.5 lbs and found the general ratios to be effective in both small and large recipes. To make a practical, easily bottle-able amount the most usual proportion that I prepare is 8-10 oz. of bark to 12 cups of water, reduced down to 4 cups of tea. Avoid boiling, which will result in bitterness. It is perfectly acceptable (and perhaps beneficial) to allow the mixture to sit until cool, for several hours, or even overnight before straining the bark. When done, do not discard the strained bark. Instead, save it and use for additional flavor when grilling or smoking foods with hardwoods.

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Hickory syrup being reduced. The color will vary from pale gold to reddish amber.

Next, you will want to add sugar. I prefer to use a proportion of 1 : 1 to make the basic hickory syrup, and then reduce it if I want a more concentrated and thick product (I usually refer to this as hickory glaze).

To make a hickory simple syrup, rather than a glaze, all one has to do is combine the sugar and tea over a low heat until the sugar dissolves. It is best to avoid stirring this mixture as it begins to get warm, as this will cause crystallization. This syrup will not be as thick as maple syrup, but is perfectly fine for most applications and is actually much better if you are going to add hickory syrup to drinks or use it in a recipe that will be cooked for any length of time.

Reducing the syrup to a glaze is more useful if it will be used to make salad dressings, added to dishes as a finishing touch, or poured over pancakes like maple syrup. I tend to reduce the syrup by anywhere from a quarter to a third, so going from a cup of hickory syrup to 2/3-3/4 cup of hickory glaze. I have found that reducing it much further results in a product that solidifies at room temperature. There is nothing much wrong with this thick syrup, it just requires heating in a water bath to become fluid again.

As to the uses of either hickory syrup or glaze, the only limit is one’s imagination. Of course it works wonderfully as a substitute for maple syrup, but don’t let your experimentation end there. Hickory syrup makes an amazing addition to various mixed drinks and cocktails, alcoholic or not, and is an ideal sweetener for lemonade or sumac-ade, adding its characteristic smoky flavor to the mix. It’s fantastic when substituted for honey or maple syrup in baked goods, makes a great base for vinaigrettes and yogurt dressings, and is inspiring drizzled on homemade ice creams and frozen yogurts. The combination of smokiness and sweetness means it pairs excellently with meats, especially pork sausages, bacon, and fried chicken. My favorite way to use it may be as a finishing touch to bitter greens, of which I eat quite a lot. And it almost goes without saying that it is an awesome pancake syrup.

It’s extraordinarily easy to identify shagbark hickory and make this syrup – there is an added bonus to collecting this bark in the winter, as well. Identifying hickory trees now means one can be there in the fall, when their nuts are available, for the shagbark hickory is one of the consummate wild foods, under appreciated in our area where they are so naturally abundant.

 

 

Winter Teas from Pine Family Trees

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The Pine family (Pinaceae) is likely one of the first groups of plants that our ancestors recognized as broadly edible and safe. As human beings made their way further into colder climates, it would have become essential for life. Pines, spruces, firs, hemlocks, arbor vitae – all rated quite highly to pre-Industrial Europeans and Native Americans. Not simply for their timber, but their edible and medicinal uses as well. Above all else, the Pinaceae represented a crucial and easily available source of Vitamin C during the winter, sorely needed when diets were strictly seasonal.

While we now have a wide access to various supplements and pills to ensure that we don’t succumb to scurvy, some of the products made from the Pine family are still quite interesting from a perspective of taste and culinary curiosity. In particular, simple teas made from the needles of most conifers are an extremely healthy alternative to tannin-rich coffees and teas. In addition, those products are generally made quite far away. Your nearest Pine family member is probably in your front yard. They are available year-round, but I usually enjoy them most in the winter, both for their warming quality and their strong, seasonal flavor.

In the spring, the newly-emerging needles of conifers are soft, and can be eaten raw. Many wild food gatherers consider them a delicacy, and some only eat them raw, as a trailside nibble. The needles are gathered together at first in a tight cluster, usually referred to as a “tip,” as in “spruce tips.” While a tea can certainly be made from them, they are much finer used in prepared salts and sugars, infused in vinegars or alcohol, or added to other prepared dishes. As the seasons progress, these tips unfurl and harden off and become the years fresh set of needles. These are the needles you will collect for tea, and they are available any season of the year. Theoretically, one could use older growth just as well but the most recent sets will have more of the energy of the tree, and therefore more flavor.

All Pine family needle teas are prepared in the same fashion. Clip the freshest growth from the tree (see pictures and descriptions below for each genus), then wash the needles. Cover the needles with water (they should all be floating) and bring to just shy of a boil. If possible, do not allow the water to actually boil, as this will result in loss of Vitamin C. Instead, maintain a simmer and a careful eye on the pot, and allow it to simmer until you have enough depth of flavor. In practice, the amount of time this takes will vary radically, depending on volume involved, but the same procedure applies whether you’re making a cupful or a gallon. You will simply have to allow your taste to tell you when you have made a good tea. I prefer to simmer mine until its a little shy of what I’m looking for, then allow it to sit and steep until it cools, overnight if possible. I’m convinced this provides not only a fuller flavor than straining the needles immediately, but also a rounder and more complex one.

As to the flavor? Well, Pine family products are strong. Spruce in particular is a very robust flavor. Your appreciation of each of them may vary, and indeed you may despise them all. What they probably won’t remind you of is cleaning products, a common fear. Here are three that I particularly enjoy, two of which are made from native trees in my area, the other from a very popular import.

Eastern White Pine Tea (Pinus strobus)

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Needles of the Eastern White Pine, with new growth visible at the bottom.

To collect pine needles, it’s best to look for a small colony of trees, and select from the younger members. I often select the needles from small trees growing along the perimeter of a hiking trail, since those trees are generally slated to be trimmed by the park workers anyway. Pull the freshest growth at the ends of the branches, concentrating on the lowest branches. You won’t need many pine needles to try a tea – a half-pound of them makes almost two gallons of tea.

This is my go-to Pine family tea, the most broadly palatable and subtle in flavor, and drinkable cold as well as warm. Some will likely disagree, indeed I have often read of people finding Pine products stronger than those of Spruce. Perhaps they use another Pine – I have always used Pinus strobus, since it is locally abundant. In addition, the needles are softer than other Pines, which always suggests to me greater palatability. In any case, tea from Eastern White Pine is citrusy, warming and somewhat mellow at first, but quickly following is a spicy and slightly resinous aftertaste. It’s “strong” in flavor to many, pleasant to some, and certainly beneficial to all. Pine tea has the most flexibility of these three in terms of being used for other applications, such as making a syrup, vinegar, or kombucha. It combines well with sugar, which tends to accentuate the citrusy taste, and makes a fine granita or sorbet.

Norway Spruce Tea (Picea abies)

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Freshest growth of Norway Spruce is generally more reddish, the older more grey.

To collect spruce needles, look for the most outward-branching lengths on the lower part of the tree and bend them backwards, then tear from the older growth. The newer growth on Norway Spruce will be more reddish and less grey.

This is not a native tree, but one widely planted in my area and in many other parts of the world. The original Christmas tree, the Norway produces strong, citrusy tips in the spring. They are large, plentiful and a natural choice for infusion or making spruce sugar. The tips are the true delicacy, but the tea is tasty as well. Strong, spicy and buttery, very rich in color and flavor. The woodsy, resiny taste is more pronounced in spruce tea than in pine, and unlike pine I don’t find it palatable cold. Spruce is the more natural partner to savory cooking applications, and has been used in sauces and glazes for meats, strong fish and hearty winter vegetables.

Eastern Hemlock Tea (Tsuga canadensis)

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Fresh growth of Eastern Hemlock – the new growth will softer and less rigid.

To collect Hemlock needles, look for fresh growth at the tips of lower branches, from juvenile trees if possible. Bend them back to tear, in the same manner as spruce. If you tear downwards you will just end up with a shower of needles.

Eastern hemlock is the only one of the three species mentioned here that comes with not one, but several caveats. The first is not to confuse it with the highly poisonous, herbaceous plant in the carrot family that is also called Hemlock. Europeans who first encountered the tree in the Americas thought the freshly crushed needles smelled like that plant. The second is not to confuse it with the highly poisonous Yew, which it does somewhat look like (pictured below). In the Eastern US, yew is very rarely grown as a tree, but very often grown as a shrub. Hemlock has cones, usually always persistent, Yew does not. If you are in any doubt as to whether or not you have a Tsuga canadensis, then by all means do not collect it. The third (and thankfully, final) caveat is that T. canadensis in our area is often parasitized by the wooly adelgid, a kind of aphid. Adelgid damage on hemlocks is usually easy to spot – the trees generally look unhealthy and the branches will be dotted with white egg sacs, which are soft and look a bit like cotton or spit has gotten on the plant. While I’m not sure that one would be made sick by adelgid-infested hemlock tea, I wouldn’t care to find out.

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This is a yew / don’t confuse the two!

In taste, the hemlock tea is somewhere inbetween spruce and pine, perhaps more complex and nuanced than either. As a consequence, I enjoy it the most as a pure drinking tea, usually with just a dab of sugar to mellow it out. It has the spicy and smoky notes of spruce, but isnt quite as bitter. I have yet to experiment much with hemlock tea beyond drinking it, but I can imagine it has other culinary uses. The tips in spring are the tastiest of all the Pine family I have tried, although they do tend to be on the small side.

All three of these teas are fine, healthy drinks, which can be made from a locally abundant resource and which have minimal impact on our environment. They represent a forgotten flavor, one which we have learned to dislike or distrust in our post-Industrial diet. Many other members of the Pine family can be used in the same fashion, and indeed all of these trees produce other useful and edible products, some of which we will hopefully discuss as winter turns into spring.

Note :  

To make a greater quantity of any of these needle teas I usually follow a basic ratio of 1 oz of dry needles to 1 quart of water.

The Fourth Season

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A typical January scene

Wild food gathering in the temperate parts of the world inevitably means coping with the problem of winter. What do you do? Can you do anything?

Yes, you can. Actually, there’s quite a bit going on out there. You just can’t see it. The earth and (eventually, often) the snow conceal most of it from view. The rest is made invisible by our long conditioning that “nothing happens in the winter” when it comes to plants.

The foraging literature itself is faintly discouraging when it comes to winter. They don’t tell you not to do it, but the implication is that it isn’t particularly worthwhile. Emphasis tends to be placed since the Gibbons era on enjoying the fruits of the other seasons of harvest, sitting back in your chair with a seed catalog, shelling hickory nuts and sipping on persimmon wine. The winter section of every foraging book is like an afterthought, usually accompanied by a list of plants so desultory that it squashes the imagination, rather than firing it.

Yet, we all know this is precisely what is needed in the winter. A spark, a kick, especially after the holiday madness/joy (or forced madness/joy) is over and our bodies start to go into hibernation mode. The key is in viewing winter as not a dead time or a rest time but as just another time, simply another season. The activity of plants and trees and fungi around you hasn’t stopped, it’s just different. Which means we need to learn to look differently, to reassess our environment with fresh eyes.

More than just being a neglected time of year to gather wild foods, winter is also overlooked when it comes to studying wild plants and fungi. But if our knowledge of nature is to expand alongside our use of its’ resources, then winter is an ideal time to study as well as collect. Not only will our attention be drawn to interesting things we normally overlook, like mosses and bracket fungi, but towards the familiar things that have changed in aspect. And while the idea of looking at a bunch of dried twigs and seeds might not seem as romantic or appealing as trekking through a spring woods, in reality it can tell us quite a bit about the life cycle of these plants. Ultimately, knowledge of a wild food resource through all of its seasons, all of its changes, is really what we are after : comprehension of the patterns of its growth and how it deploys its energy in order to make our best use of it.

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Uncharacteristic, but possible in a mild winter : Wild mustard forming its broccoli-like flowering head around Christmas time.

Over the course of the next few weeks I will be discussing in some detail how best to take advantage of the undervalued resource of wild food in winter, including profiles of specific plants and accompanying recipes. I hope to be able by springtime to have made my point that winter isn’t an “off” or “dead” season but simply the fourth season. Perhaps it’s a bit more humble than the others, but one well worth getting outside for, and certainly no occasion to hang up the basket. For now, as an antidote to all those discouraging lists of winter wild foods in foraging books here is one with just some of the things I have either gathered or noted as available in the past few winters :

Acorns

Sow Thistle

Cranberries

Juniper “Berries”

Chaga

Watercress

Maple – Sap / Syrup

Rosehips

Pine Needles

Oyster Mushrooms

Blackhaw / Nannyberry

Dandelions – Greens and Root

Daylily Bulbs

Crabapple (hardy species)

Chickweed

Wild Parsnip

Spicebush – Twig

Henbit

Marsh Yellowcress

Chicory

Evening Primrose – Greens and Root

Bittercress

Velvet Shank Mushroom (Enokitake)

Highbush Cranberry

Yarrow

False Strawberry – Greens

Sunchoke / Jerusalem Artichoke

Persimmon

Cleavers / edible Bedstraw

Wild Carrot

Hawthorn – Berries

Pennycress

Plantain

Wintergreen – Leaves and Berries

Ground Ivy

Northern Bayberry

Nettles

Common Mallow

Spruce – Tips

Hickory Nuts

Cattail – Root

Birch – Twig

Turkey Tail Fungus

Wild Radish – Greens and Root

Thistle Root

Wild Chervil

Teasel

Wapato

Hemlock Tips

Sumac Fruit

Linden Viburnum

Garlic Mustard

Wood Ear Fungus

Purple Deadnettle

Birch Polypore Fungus

Winter cress

Wild Mustard

and, of course, everyones favorite :

Field Garlic !!!