Last Sunday I had the pleasure of joining Dr. Julia Skinner of Root Kitchens in an online Zoom workshop / conversation and question and answer session.
For those that do no know her work, Julia is a bit of a polymath like me and is interested in wild food, sustainability, food waste and usage, food history, fermentation, etc. We both have taught and conducted walks and courses in the three-dimensional world as well as this two-dimensional one.
If you missed the original presentation, Julia has thoughtfully recorded it and posted it on vimeo :
Check it out and please let us know what you think! More events to follow.
The fleeting time of the cherry blossom is as brief as it is beautiful. To wit, tragically.
Thankfully, their incredible aroma and flavor can be preserved in various ways. Less so, their visual beauty. Photographs and memories are about the best we can do. But culinarily, vinegar, honey and salt all play their part. Today we will focus on the salt, based on a traditional Japanese technique.
Salt-curing cherry blossoms relies on using a method involving two different processes–saturating the blossoms in salt for several days, then rinsing and soaking in vinegar. After this point, the flowers can be dried and stored indefinitely. Some of them will improve with age, while some of them will degrade over time. Every species of cherry and indeed every tree is somewhat unique and different. But, it is not just cherry blossoms that can be preserved in this way. So many flowers can be salt-cured that it seems almost ridiculous to list them. For the most part, I have experimented with tree flowers because they tend to be a bit more durable and they are quite easy to collect (Imagine collecting 5 cups of ground ivy flowers).
I have salt-cured with success :
Various Cherry Blossoms
Apple Blossom and Leaf
Magnolia (x soulangeana, stellata, etc)
For the last three (and, presumably, any member of the Fabaceae) I recommend aging in the last stage. These flowers tasted of very little for their first six months or more in a jar. As the time progressed, their flavor suddenly re-emerged, like a lover hidden behind a fan.
Any of the flowers listed above (and many more I am sure) can be preserved using this method. Every type of cherry blossom is different, so expect variance in the flavors produced. In addition, I recommend collecting the flowers at the peak of their season, once they have emerged and been on the tree long enough for aroma and flavor to accumulate, but before they begin to fade in pungency. It is also best to collect the flowers on a clear, dry day and not immediately after rainfall. You want them to be at their maximum potency, otherwise what is the point of preserving them? The flavors of these flowers are fleeting, so only process at their peak!
As far as the other ingredients, I use finely ground Himalayan pink salt (this is a rock salt, gathered in the highlands, and will be free of micro-plastics, which can no longer be said of sea salt) and a relatively neutral vinegar like rice, cider or Korean brewing vinegar.
• For every 1 cup of loosely-packed blossoms, use 3 tbs of finely ground salt.
• Combine blossoms and salt, applying light pressure to work the salt into the flowers.
• Place in a non-reactive (glass or plastic or ceramic) container, cover and apply light pressure.
• Uncover and toss/stir the blooms once a day, then cover and weigh again.
• After three days uncover and rinse the blossoms of as much salt as possible.
• Air dry the blossoms or dehydrate at a low temperature (80° F) for a few hours.
• Place in a clean glass jar and cover with vinegar. I generally use at least 1/2 cup vinegar : 1 cup flowers.
• Allow to sit in the vinegar for at least one-two weeks.
• Remove the flowers from the brine and dehydrate at a higher temperature (100° +) until fully dry.
• Store flowers in a clean glass jar at room temperature.
• Reserve brine for use in dressings, marinades and pickles.
The flowers and the brine can both be used for many different dishes, the only limit is your culinary creativity. The flowers are intriguing as a garnish, an ingredient in spice and salt mixes, as a unique tea (the traditional use), and even in a sweet and salty ice cream! The brine is a perfect base for a marinade or a dressing, and is essentially a pre-made and flavored pickling medium. Always taste before using, as each flower will create a different set of flavors. As long as the flower is safe for eating, I see no reason why this wouldn’t work with a great many blossoms.
We exist at a turning point. Our world has changed dramatically since the last millennium, but no century has been so dauntingly transformative as the last. Not only is our climate changing rapidly, not only is a great extinction underway (perhaps the greatest, perhaps the last), but we have finally become aware of the endpoint of our resources, and the limit of our invention. It is not enough anymore to keep the machine in motion. We need to apply some brakes. We need to remember how we got here. It is not enough to stop using straws, or bring canvas bags to the supermarket. We need a massive rethink in terms of how we interact with our environment, and food is at the forefront of that interaction.
I am intending to present not a manual for that rethink but a simple volley in the effort, a salvo lobbed at the ceaseless farce of endless growth. There is no permanent economic growth that will not reduce this planet to a sobbing, shrieking wretch. And not for the benefit of the faceless masses, but for the gain of a very few at the expense of the very many.
Most corrupted and most casually ignored are our food systems (clothing also comes into this, but the stakes are higher economically and that is not the subject of this volume). We are not the architects of this, but the unwilling participants–20th century consumption made us acclimated to food in plastic wrap, ingredients as commodities, food severed precisely and sharply from its source. Meat isn’t animals, it is flesh drained of blood and wrapped in styrofoam packages. Vegetables aren’t plants they are Californian-grown produce, shipped across the country in massive Diesel vehicles. Plants come in cans, in plastic freezer bags, in joyless shrink and sleeves. We have lost the thread connecting us to our food.
Just a few generations ago, most of our grandparents and great-grandparents existed in a transitional world. Industrial growth and technology impacted their lives massively, but attached to that incredible change was a sense of connection with another world. The world of self-sustenance, of the working and (dare I say it) peasant classes which revealed to them a set of knowledge and tools which connected them much more tangibly to their food sources. Of course, this is a generalization, and largely a class based one. After all, landowners in the Middle Ages were just as severed from the source of their heavily-laden feast tables as modern oligarchs. The difference is that now this disassociation effects almost everyone in the developed world.
My grandmother raised four children by herself, and supplemented their diet with wild foods. But this connection to the folkways of wild food did not descend directly to me. Although my mother did show me that the invasive wineberry was edible, and I happily munched on honeysuckles as a child, this knowledge was not inherited. I became interested in wild food as an outgrowth of cooking, and an interest in ecology and sustainable lifestyles. Most of what I have come by has been self-taught, aided by print and internet resources, as well as experimentation (within the margins of safety of course). I say this mainly to demonstrate that no matter how far you might be disconnected from the world of the food knowledge and skills of your ancestors, it is a connection you can re-establish. It doesn’t take a lifetime, either–just an interest and the right resources. I aim for this site to be one of those resources, and to guide you to many others.
Along the way I also want to change the way you think about food sources, the environment, cooking and life. My goal is not to provide you with an encyclopedic overview of every wild food but some of the most essential, most common, and most widespread across the temperate parts of the world. The cooking techniques and recipes included in this site are fundamentals, simple presentations, what is known in Italian as cucina povera, the cooking of the poor. A few things may seem complex or challenging at first, but I promise that with practice many of the more involved or unfamiliar processes (like fermentation) will become second nature. All of these techniques formed part of the daily cuisine of the nonnas and farmhouse wives that nourished many generations of our ancestors. And I promise you that, whether your tradition is European, or Indian, or Japanese, or anything else, these women incorporated wild foods into their cooking. Mainly out of necessity, but also out of knowledge of their nutritional aspects, medicinal benefits, and flavor.
As our world transforms dramatically, it might be some small comfort to realize that we can rediscover this knowledge, and explore new ways of sustaining ourselves that are less impactful and far more healthy than the supermarket cooking we have all become used to. One advantage of how aggressively our agriculture and industry have transformed the landscape is that it creates the perfect environment for adaptive, vigorous, invasive plants which are the fundament of wild cuisine. These are the so-called weeds, neglected and often despised. If we can learn to honor and celebrate them, if we can learn how to cook a weed and cherish the food we can make from them, we will not only reconnect with our not-so-distant past but create a path which can help minimize the damage we do to this planet every day with our current foodways.
I hope you will join me in discovering how exciting, delicious, and mindful this food can be.
In the throes of winter, gathering wild food often takes a backseat to using up what we have dried, fermented, frozen, or preserved. On the other hand, for those who hunt, the season has the added dynamic of being far more active. Shellfish, too, are at their prime. For freaks like me there is always the lure of ingredients transformed by the extremes of the season–conifer needles seem especially aromatic. The residual fruits that linger have been bletted to the point that deep, resonant flavors emerge.
But no matter what your winter kicks are, there are still a number of ingredients that have particular resonance in the fourth season. Prime among these are the sapling twigs of various edible / useful trees, which have a haunting aroma and deep flavor, and can be used not just as hot cuppa refreshers, but also as brines and pickling mediums, or infused into stored up goodies like honey, alcohol, wine, salt or sugar.
In winter, the energy of most herbaceous plants is tied up in their roots. But saplings and trees focus on creating buds and new growth, in order to prepare for spring. This makes for a period in which whole new categories of identifying and appreciating the trees of your area become available. It also means that some of these bits are full of flavor and aroma, especially amongst the thickets of saplings one finds with certain native trees, as well as those that are setting buds to flower in early spring, such as spicebush.
We won’t go hog wild here, but focus on three trees that I use extensively in the winter, all of whom have very distinct aromas which once you have become accustomed to are unmistakable for any other plant or tree. Patches of these trees are best located during the growing season when you can confirm their identity based on other characteristics such as leaves, fruit, flowers or catkins. Of course, there is also no reason one can’t use the bark year-round, but it is an especially welcome addition to the basket in winter. To check your saplings for smell, crack a fresh bit of new growth so the inner bark is exposed and get a strong whiff of it. If you have a lack of scent, you may have the wrong tree, or perhaps one which is weak and not worth collecting. This is especially the case with lower-hanging branches of older sassafras trees, which often become brittle and weak in flavor as they die off.
Sassafras (Sassafras albidium)
Many foragers know of the incredible taste of sassafras roots, and some will have used the leaves for a seasoning and thickener (known as filé gumbo to Creole cooks), but the vigorous young growth of saplings and twigs have garnered little attention. One is able to approximate the flavor of the root-based tea in a more sustainable fashion by collecting twigs instead of digging up plants, an activity which is also often difficult in the winter months. When gathering sassafras twigs, I look for cleared or semi-maintained areas near a line of mature trees, where one can often find small clumps of young sassafrases growing almost on top of each other. This strategy can be extended to the sweet birch as well, which I tend to collect only when I can find a thicket of them. Sassafras are notoriously weak-rooted trees as well, and one can often find larger specimens toppled after intense storms. In all cases one wants the green or red new growth which is flexible rather than brittle (you will want a pair of bypass pruners to cut these branches, don’t attempt to tear them), and which carries a strong and unmistakeable scent of sassafras. Many compare it to root beer, but I find it a bit more mellow and earthy, less cloyingly sweet than commercially produced soda drinks.
Sweet Birch (Betula lenta)
Sweet birch trees tend to grow very tall and narrow, seldom having any branches within easy reach. It is best with this tree to locate the small thickets of saplings which will grow, often clustered on sloping ground, near more mature trees. While the adult trees have bark that is almost black, the saplings will be a chocolatey brown to dark grey color, with leaf buds forming in fall and persisting over winter. These buds can be used to make a seasoning salt (as can those of sassafras, or the flower buds of spicebush), but they are also a good indicator of the identity of sweet birch. The saplings tend to grow very straight and upright, with few side branches, never becoming bushy or densely-limbed like spicebush. The scent of the broken twigs is quite similar to wintergreen, and will remind old-timers of traditional birch beer. The taste when brewed is not exactly that of wintergreen, but has a more well-rounded flavor, making for a surprisingly good brine as well as tea. The yellow or golden birch (Betula alleghaniensis) has a similar smell to the snapped twig, but I find its’ flavor to be more on the bitter side when brewed. You may wish to experiment more than I if this tree is common in your area, I have very little of it so tend to leave it alone.
Spicebush (Lindera benzoin)
Those who know me know spicebush is a plant I am an insane raving lunatic advocate for. In my area it is most abundant, one of the few natives to have survived the onslaught of invasive plants, canes and shrubs that have slowly taken over our hardwood understory. It is a four-season edible, and probably bears a lot of the responsibility for why I am an advocate of winter foraging. It has a completely distinct scent, but you have to smell it to know it. The most common use by foragers for this bushy shrub has been the ripe fruit, collected and dried in fall to make a kind of “allspice” type seasoning. There are many more ways to use it. In winter, I mostly collect the branches from public parks and maintained trails–spicebush will grow in abundance along the edges of biking and hiking trails, so I try to keep my branch collection to the spots where these bushes will inevitably have to be trimmed and truncated by park officials. I like to think that some of them wonder why their job has already been done, but more likely than not they don’t give it a second thought. If you are wanting to collect flowers of spicebush in the spring, or fruits in summer and fall, I recommend collecting only limbs of male trees, which do not have visible flowerbuds developing. If you do collect female limbs, consider stripping the tiny spherical flowerbuds to make capers or a seasoning salt.
Wild Bark Teas and Brines
Any of these three trees will make an excellent tea, a process best done in either a stockpot held at very low heat or a slow-cooker on warm or low setting. I greatly prefer the slow-cooker method. It is easy, stress and attention-free, and I never have to worry about the process boiling over. While I don’t think any real damage is done to the nutrition of the tea by boiling (unlike conifer needle teas, which lose their Vitamin C content), it does no favor to the flavor, and generally increases the bitterness of the end product. One thing that certainly must be done, whether making this tea in a slow-cooker or on a stovetop, is to strain the finished tea through cheesecloth or clean kitchen towels. Wild barks tend to have saponins in them which will concentrate on the surface of the tea (they will look like small amoebas or spots of fat), but these are easily removed by straining through cloth. I use the same ratio of liquid to twigs/bark that I use when making coniferous trees, about 1 oz. of material for every 3 cups of water. The same 1:3 ratio applies naturally for a metric measure, I tend to use 200 g for every 600 g of liquid. Note that this is weight of dry ingredients vs. liquid measure for water.
The resulting tea can be drunk as is, chilled or mixed with sugar and chilled, salted and turned into a pickle brine (use 3-5% salinitiy depending on your ingredients to be fermented), or salted and used to brine meats (especially good with pork) or other ingredients for cooking (usually you will want more like 8% salinity, with the amount of time resting in the brine depending on the weight and muscle density of the product being brined). They make excellent kombuchas, either combined 50/50 with tea or raspberry/blackberry leaf Kombucha, or in their own right with a SCOBY and a bit of active kombucha simply added to the wild bark tea. I have enjoyed single flavor teas and brines made with only one of the above mentioned teas, and I have also used two or all of the barks combined to make a complex, multiple bark tea.
If you have a slow-cooker with a warm setting or a clippable thermometer you can also create a basis for a wild yeast beer or mead by making this tea, just be sure to keep the temperature below 140 degrees F, at which point the wild yeast which is abundant in the bark will be killed off. Another option is to replace water in a brew boil with wild bark tea, and then cool before pitching with conventional brewing yeast.
All three of these wild barks also make excellent syrups, individually or combined, which can be started as a simple syrup (1:1 sugar to bark tea or 2:1 sugar to bark tea), but which can also become sorbets or granitas, or indeed the branches may be infused in milk for ice creams or gelati. Infusions in wine or spirits also produce strong results, although for sassafras extract (comparable to a vanilla extract) I tend to prefer the roots for maximum concentration of flavor.
Cold brewing and infusing with these barks is also an option, but I have had much more success with them used as aromatic components in a botanical mix (for vermouth, bitters, or honey-based infusions) as opposed to a “sun tea” or cold-brewed tea which I do not think extracts enough flavor and is certainly more dicey health-wise. I suggest a hot brew to create a liquid base and then proceeding from there in all applications using wild bark.
Perhaps obvious to some, but certainly worth mentioning : since all these thin saplings and twigs are harmless in every way for food use, so they also make excellent kebab skewers! As a child, I used to gnaw on sweet birch sticks and even today a little nibble of sassafras or spicebush bark can provide stimulation on a long winters hike.
The harvest and use of herbs and greens is a year-round process in my kitchen. Generally, I use wild herbs and seasonings or those grown in my garden, but of course many fine farms and friends grow herbs as well, so there is plenty of bounty to preserve, even in the off-season. I am always looking to explore ways to keep the ingredients seasonal, but extend their life by various preservation methods, so that I can have my cilantro in winter and not feel too guilty about it. One of the best ways to do this is to employ a bit of salt. Indeed, quite a bit of salt. By chopping fresh herbs (augmented if you desire with a little vegetable material such as leek, celery or carrot) and combining with salt you can keep some of the bright intensity of fresh aromatics from decaying.
Our culinary herbs, especially those that dominate the cooking of the Mediterranean basin, are nearly all drawn from two plant families. The majority of plants that most cooks from that tradition (and indeed, many others) will recognize as herbs are either a member of the Lamiaceae (Mint Family) or Apiaceae (Carrot Family). The first includes the obvious “true” mints such as spearmint and peppermint, but also widely-used seasonings such as thyme, oregano, rosemary, basil, shiso, savory, lavender, etc. The second contains cilantro and parsely, alongside dill, fennel, caraway, chervil, anise, angelica, and many more. In addition to aromatic herbs, the carrot family has a number of vegetables (celery, carrot, parsnip, fennel) and plants whose seeds are used as spices (cumin, coriander, ajwain, caraway, alexanders). It might come as no surprise that a number of the wild plants we can use as herbs also come from these same families.
There are a number of methods available to preserve the flavor of fresh herbs when they are in season. The one most people will be familiar with is drying, I have found this to be a particularly excellent method to use when dealing with the mint family. Indeed, many of the mints which we collect as wild plants or grow have a marked flavor improvement when dried. Oregano, for instance, or the plant Monarda fistulosa (Wild Bergamot) are herbs I don’t use great amounts of fresh, finding them a bit too intense for most things. However, when dried they are huge staples of my kitchen year-round. But while dehydration is effective for the mints, it tends to make the more subtle flavors of the carrot family disappear. Anyone who has used dried parsley will discover pretty quickly that it tastes precisely like nothing. Again, this extends to the wild members of the family–my attempts to dry pushki (Heracleum maximum) leaves without treating them first has invariably resulted in a tasteless product. Drying of aromatic members of the genus Allium (Onions, Chives, Leeks, etc) is also sometimes fraught with difficulty. Leek greens hold up fairly well, and sometimes chives, but the wild members tend to lose their more ephemeral flavors.
My preferred methods to preserve both Alliums and Apiaceae are to use brine or vinegar, infusion or lacto-fermentation, and very occasionally freezing. But the best technique is the one detailed here. What you are creating will be high enough in salt that it becomes a substitute for that when used in a dish. In much the same way that one would use a seasoned salt, or a curry paste, or a pickled or fermented ingredient high in salt, you will want to taste your dish before adding any additional salt or salty ingredients like soy sauce to it. But a small amount of herbs preserved in salt can be used as the base for a vinaigrette or soup, added to a sauce, stirred in with dressing for a composed salad, added to the salt bill for curing meat or fish, stirred into a pasta with a bit of the cooking water, or used as the basis for a fresh salsa. Of course one could get even more creative than this, and luckily there will be plenty of time to–my herbs in salt mixes tend to last at least one year, some may linger even longer.
The recipe I use originated in a book called The Mediterranean Pantry by Aglaia Kremezi, and she uses US/Imperial measurements, always at a ratio of 6 ounces of vegetables for every 1.25 ounces of salt. This works out at a ratio of 4.8:1. For more precise measurement, I tend to use grams, and simplify the ratio to 5:1, but of course you can do as fits your kitchen and scale best. No matter what vegetable and herb components are used, however, the ratio should stay the same. This makes for 20% salinity, which means these herbs will likely stay fresh a lot longer than you. It is quite likely that a lower salinity would work fairly well too, but I tend to stick with this recipe as the color and taste stay so bright and fresh that I simply use the herbs as a salt substitute, and especially when added as the base for soups or stews the intensity of flavor is such that I feel I end up actually using less salt in the long run.
Absolutely any combination of herbs and vegetables is viable and I encourage you to experiment widely with this recipe, but I’ve included a few different iterations of it just as basic models. I always use a fine sea or other natural salt for this, such as Himalayan pink salt. Never use industrial salts like iodized table salt or kosher salt, and never use large crystals or rock salt unless you grind them first. Do not make the mistake either of combining the salt and the herbs and then processing, or you will wind up with more of a slurry than a condiment. In all cases, pack the herbs in salt well into 4 or 8 oz jelly jars (each recipe makes two of the former or one of the latter) and keep refrigerated. Should last at least one year, and often longer. Make sure that you integrate the salt well into the chopped herbs, tossing in a bowl several times before packing into the jars.
Cilantro & Leek
chop extremely fine by hand or pulse in a food processor:
160 g chopped cilantro
40 g chopped leeks
40 g fine sea or other natural salt
Parsley & Dill or Fennel Frond & Leek
hop extremely fine by hand or pulse in a food processor:
100 g chopped parsley
60 g dill or fennel fronds
40 g chopped leeks
40 g fine sea or other natural salt
Bittercress, Dandelion & Field Garlic
I make this in spring when all three herbs are at their finest and I can collect them from my yard. This combination of herbs also makes an excellent base for pesto. Make sure that you use a food processor if using field garlic, and that you snip it very fine first as it is quite fibrous. The same can be said of chives
chop extremely fine by hand or pulse in a food processor:
100 g bittercress (Cardamine species)
60 g dandelion greens
40 g field garlic greens or chives
40 g fine sea or other natural salt
Waterpepper & Shiso
The sharp intensity of waterpepper (one of the flavorful smartweeds will work too) is balanced by the distinctive herbaceous flavor of shiso. Both grow abundantly in my area as invasives, and I make this in mid-summer before both plants begin to flower.
chop extremely fine by hand or pulse in a food processor:
80 g shiso (Perilla frutascens) or thai basil
80 g waterpepper (Persicaria hydropiper), smartweed or rau ram (Vietnamese coriander)
I had the great pleasure earlier this month to be interviewed by Marjorie Alexander for the incredible A Sustainable Mind podcast. Marjorie highlights people who are doing some truly inspiring work around issues of ecology, food waste, reusable energy, sustainable living and a myriad of other matters that all relate very closely to the issues that are close to my heart. I feel honored to be included amongst these folks who are contributing in a much more direct way to facing and resolving what is one of the great crises of our times.
It is my firm belief that living more simply and in greater harmony with nature is one of the most important and personal steps we can take in life. I urge you to think about the sustainability of your actions every time you collect wild food, to understand and acknowledge the relationships of the plants and wildlife around you and make decisions based on the needs of the community at large. Remember you are part of a much larger whole.
Too often in foraging literature, the focus is on what you can eat. I would like to encourage you to think more deeply about what you should eat.
Spicebush is a versatile spice, whether dried or fresh. One of the best ways to experience that versatility is by making fresh spicebush berry-based curry pastes. In late spring and early summer, the fresh green berries can be combined with green chiles and aromatics to make a green curry paste. The most pronounced flavor change occurs in the berries when the seed emerges in mid-summer, inside the bright green fruit. Once the color change sets in the berries can be gathered and combined with red chiles to make a red curry paste.
Neither of these will taste identical to the classic green and red Thai curry pastes, unless you use only the traditional aromatics rather than wild ingredients. If you want to make an authentic Thai curry with spicebush as an added aromatic (and I can find no fault at all with that idea!) then you will be better served by simply adding some spicebush berries to a traditional recipe. My non-recipe recipe, which follows, is much more open-ended and designed to let you work with whatever native or imported, cultivated or wild seasonings and aromatics you might have on hand.
This approach is one of proportions and seasonal, available ingredients. It changes every time I make it, and can include many different aromatics depending on what I have at hand and what I have in mind to use the curry paste with.
Combine in a food processor or mortar :
1/4 cup red spicebush berries, fresh not dried
4 oz red chiles, destemmed and deseeded (I don’t really care for my spice pastes to be super-hot, so that I can add fresh chiles or other hot spices to my final dishes. If you prefer a more traditionally hot paste, double the amount of chiles and use 8 oz.)
1 oz turmeric root or substitute turmeric powder at time of cooking
6 oz alliums and aromatic stalks and/or roots in any combination that makes sense to you : garlic, ginger, wild ginger, galangal, wild carrot root, wild parsnip root, angelica stems, lemongrass stalks, shallots, and leeks or spring onions are all viable options. (an example of how this breaks down from a recent version of this : 2 oz angelica stem, 2 oz shallots, 1 oz garlic, 1 oz wild ginger)
4-6 oz feral or cultivated apple or pear, or combination of apples and pears, and if desired other mealy/juicy rose family fruits such as hawthorns or rose hips. (optional – i add feral fruit generally just to thin out a paste if it is too heavy, or if I intend to use the paste primarily as a grilling medium)
2-4 tbs dried spices, cultivated or wild seeds, two or more of : cumin, coriander, wild carrot, wild parsnip, pushki, black or wild mustard, fenugreek, etc. Any wild or cultivated seeds that you would use in a dried curry mix are good to use here. I generally follow the ratio (used in many traditional masalas) of combining equal parts cumin and coriander seed, accented with smaller amounts of other spices. In lieu of coriander I often use one of the wild carrot family members whose seeds have a “coriander-like” quality. In my area those are wild carrot, pushki and wild parsnip.
1 tbs ground sumac (optional)
handful of turning sassafras or spicebush leaves (sassafras will be yellow, orange or red, spicebush yellow) (optional)
grated zest of chinese bitter orange (Poncirus trifoliata), kaffir lime or other citrus (optional)
1 tbs shrimp paste (optional, but adds intense depth of flavor and that oily ring of authenticity)
Process until smooth. A food processor is the easiest fix for this, but I recommend chopping into small pieces most of what you add. Cloves of garlic should be crushed. Dried leaves should be crumbled. Stringy things like leeks, angelica, or lemongrass should be cut into small pieces across the grain. If you want to prepare this more traditionally, a mortar and pestle works fine with a bit of pre-chopping and patience. I don’t mind a coarse grain with this, as is obvious from the picture below, but you can go coarser or finer as you like.
Red spicebush curry paste will store in the fridge for a few weeks, but I recommend putting recipe-size batches in small jars and freezing them.
As to using this concoction? Certainly any traditional recipe which calls for a Thai red curry paste can be made, substituting this. The flavor will of course vary from that of the traditional, but the results will doubtless be delicious.
I prefer to use my curry pastes, especially if I have loaded them with native or locally-grown ingredients, with local vegetables, seafoods and meats. I particularly enjoy the red spicebush curry paste with autumnal and winter vegetables like squash, beets, potatoes, leeks, evening primrose and other root vegetables. Shrimp and squid are fantastic grilled in the paste, with a little miring or vinegar or chile sauce added to thin out the mix. Fantastic curry soups can be made with lentils, sweet potatoes, and so on, simply cooked in broth and pureed with curry paste. I find it works equally well thinned or mellowed with coconut milk, broth, yogurt, or wild bark teas. A simple vegetable dip fit for the gods can be made by combining spicebush curry paste, miso and homemade yogurt.
This is that rare preparation that sounds as poetic as it tastes. But between making a success out of it and a shambles there lies a very thin line.
If you just grab a bunch of random leaves from the forest floor and bring to the boil (Latin bullire, hence “bouillon”), you will certainly achieve some kind of a broth from them. But its flavor will be questionable. At best, it’s a roll of the dice that might make you lucky. At worst, it’s your stomach that is tumbling.
Leaves fall at different times. They contain many different flavors and elements that age and decay in different fashion. They aren’t all “edible,” but the ones you use should all be non-toxic. A handful of trees bear leaves that should be avoided (eucalyptus, yew, certain fabaceae family trees). Every leaf that makes its way into my broths is non-toxic, and every tree type mentioned below is broadly “edible” in my area. As always, your local species are the ones you need to look into.
I eat a lot of tree leaves. They don’t remain edible for very long, usually only a couple of weeks, but within that time frame things like beech and basswood leaves have become some of my favorite spring greens. The leaves of fruiting and non-fruiting Morus alba (White Mulberry) are another favorite, a sweet leaf more mild than cultivated lettuce once briefly boiled. Maple leaves can be or become bitter quite quickly but in their earliest incarnations most are mild enough to make a tempura or mead from, or boil and add to a salad.
I also use a lot of tree leaves. Oak leaves in particular, both for their tannins to stiffen a pickle a la grape leaves, and for their bite in brews and forest infusions. Those maple leaves that have become sharper are fine in small quantities in these same preparations. Dried black walnut (and by extension hickory and walnut leaves) are a traditional bittering agent, adding astringency and woody richness to alcohol, honey, or vinegar. As they age, edible or non-toxic tree leaves change in character, appearance and flavor. These intriguing elements can be used in the kitchen, but only once you have ascertained which leaves are safe to experiment with.
There is no substitution here, not for ingredients and not for experience. Learn which trees grow locally, and learn which ones are generally safe for food use. Taste and use the ones that are safe. Experiment with them – whether it be in a salad or a vinegar. Roll the dice, but set your own limits. Nibble before you bite, and bite before you swallow.
To make a broth of fallen leaves, you should worry more about proportion than volume. A good place to start is a few handfuls in the bottom of your stock pot, maybe about 6-8 cups of loosely packed leaves to about 4 quarts of water. Start small at first–what do you have to lose? My first broths of fallen leaves were a handful in a saucepan, filled with water and just simmered until flavorful, then drained and immediately used in miso soup, or a noodle dish, or mushroom soup. Or simply drunk, almost like tea, or better yet bone broth, with perhaps a pinch or three of sea or seasoned salt.
While I approached it very tentatively at first, you can be a bit bolder. I would suggest that for starters you can make a stock pot full of this broth, as long as you follow three simple rules :
1) pick clean, newly fallen leaves or tug leaves which are nearly ready to fall from the lower branches. its more poetic to gather the cast off leaves, but rule no.2 is more important than poetry – generally the milder leaves (mulberry, beech, linden) are later to fall. Carefully wash and sort your leaves, and strain the finished broth through a clean dishtowel or cheesecloth to filter out any noise, including the resinous issue which exudes from all the conifers.
2) use the proportions listed below to keep your broth within the bounds of reason. Feel free to deviate from them, but at your own peril. Adding a few more oak leaves can mean a wide shift in the dryness, aroma, and taste of your final broth.
OF THESE LEAVES, USE
50 % mild, edible leaves (beech, linden/basswood, white mulberry, birch, sumac, some viburnums)
10 % bitter, astringent or strong leaves (oak, hickory, black walnut)
20 % coniferous needles or branches (pine, spruce, hemlock, fir)
3) taste your broth, and pull it when it is to your liking. Don’t allow the leaves to sit and linger once you’ve achieved the flavor you want, or it will become much more woody and bitter. Of course, this can work too–and is a great basis for beers or vinegars. But we will discuss that elsewhere. Before all else, a broth should be sippable, soothing, nourishing. Something you can reach for when at your worst. Remember, this is a base. It should be flavorful but restrained enough to be a background for other flavors.
It occurs to me that this is essentially a very open-ended recipe, not only in terms of how it is described here, but in how it could mutate or evolve. I have made over the years many things that exist somewhere in-between this “broth” and a wild tea, concoctions which have been not only cooking medium or tea but also brine for marinating or pickling other foods, and so on. To cut off at the pass the most obvious notions, I would suggest that any wild tea plant could be added, along with such as rosehips, wild spices such as pushki, juniper or spicebush, spicebush or sweet birch bark, rubus spp. leaves, goldenrod flowers, bayberry leaf, und so weiter.
As for using this, I have found broth of fallen leaves to be very versatile, I have made everything from strong, pho-style noodle dishes to delicate sipping, restorative broths with just a few dried mushrooms or seaweed strips, to hearty minestrone and creamy turkey stews with it. In the end, the flavor of the final product will dictate its use best. This isn’t a broth patched from scraps, but a good reason to go out in the woods in itself. And let the results of your careful experimentation be your guide.
Our native spicebush (Lindera benzoin) is a plant that greatly exceeds expectations. It passes by quite unnoticed along many a hiking trail or watershed. It’s precisely the kind of thing you don’t take notice of until you are looking for it. Immediately afterwards, you realize it is everywhere. At least, it’s everywhere if you live by me. If you live in the broader eastern half of the United States, then you are within its’ range, from Maine to northern Florida, west to Texas and Iowa. That doesn’t mean you’ll see it as often as I do–but you may see it often enough to consider collecting it for use as a food and seasoning.
If you can, if you do, you will find an ingredient that will constistantly surprise you with how intense its flavor is, and how pliable and useful that flavor is in the kitchen. This humble bush has a lot going for it. A lot more than at first might meet the eye, or indeed, tongue.
Spicebush is an understory plant, a deciduous shrub, and a native plant. It can be found in areas dominated by deciduous hardwoods–spicebush flowers in the early spring and sets fruit early, so it needs the canopy above to be relatively free of evergreen foliage. It tends to congregate along paths, trails and natural clearings, anywhere it can get a little extra light during the growing season. Its leaves are soft and fairly large, with a distinctive fragrance that echoes the flavors and aromas to be found in the other parts of the plant. It should be abundant, if you wish to collect flowers or fruit (“spicebush berries or spiceberries”). If not, sampling a handful of leaves or a few winter twigs won’t harm the plant much. Because it grows so profusely along hiking trails in my area, I collect it at state and national parks (HEAVEN FORFEND) where the park rangers already clearly maintain a trail. Essentially, I do their pruning for them, snapping back intruding twigs in winter and collecting fruit most likely to fall in an area where constant travel would impede their growth. Look for spicebush flowers in late winter/early spring, leaves by mid-spring, and green fruit by late spring. By late summer, sometimes even mid-summer if it is particularly hot, the fruit will turn red and mature, and the leaves will gradually begin to yellow, and will drop off in the fall.
Spicebush provides a year-round culinary source, since all of its aboveground material is useful, even down to the hardy winter twigs. The fresh growth of twig can be collected and used at any time of the year, but I mainly use it during the winter, when other ingredients are scarce and the plants energy is concentrated in the fresh growth. I also collect twigs when I harvest whole branches of the plant, which I generally do if I am planning on using every part–leaves, twigs and berries.
In early spring comes the flower of spicebush, the part I have used least for seasoning but the part of the plant that most people are familiar with. In locations with strong spicebush populations, the woods become a veritable sea of wispy yellow flowers, small and innocuous on close inspection but vibrant when they have so little competition from other leaves or flowers. My initial experimentation with spicebush flower has been very positive and made me excited for more–I infused flowers and twigs in both vinegar and Mirin, and found that these each had an intriguing flavor, not exactly the same as when other parts of the plant were used, but warmer and sweeter. I expect I will use the flowers with great gusto next season.
Spicebush provides not one, but two dried spices : one sharp and peppery in spring, one savory and spicy in the fall. Unusually, both of these can also be used fresh, as the basis for curry or spice pastes, or preserved whole a la capers.
Green spicebush berries can be collected as soon as they emerge, and their flavor at first will be especially peppery and citrusy., and biting into one in the woods might make you think you found wild black pepper! I would almost rate this initial stage as a third dried spice, but the size of the berries when they have this intensity of flavor is quite small. As the size of the berries increases, the flavor begins slowly to broaden out. The prime time for collecting the green berries is when they are fully-sized but before the berries begin to turn red, usually up until early August. They can be used fresh to make curry or spice pastes, pickled or fermented a la capers, or dried. I usually dry them in my dehydrator on a fruit-roll up tray, but I have air-dried them successfully as well. Tradition states that spicebush should be stored in the refrigerator, as the berries are high in fats and may spoil, but I haven’t found this to be the case with the green fruits, which dry down to a much more shriveled-up size. In dry or especially hot seasons, you may find spicebush berries turning red in July, but this is a sign of stress in specific plants, rather than a general indicator of harvest time. Before the berries change color, the flavor begins to swing, from peppery and lemony to sweet and resiny, with a hint of the aromatic spice of cinnamon or clove. When the berries have deepened to a rich, bright red, it is time to begin collecting them again.
Red spicebush berries are a sweeter spice, almost reminiscent of allspice, to which they are often compared. While allspice is quite fine, to me dried red spicebush has a more complex, daring and interesting flavor, with more sharp and resinous notes. The fresh red berries can be used as well, and I make curry pastes and spice pastes with those, combining with red chiles and other aromatic ingredients. The taste of the fresh red berries isn’t really more pungent than that of the green ones, but it is assertive in a way that is generally a bit more trying on the palate. Accordingly, I tend to use more sweet dried spices or other aromatic ingredients when making a paste with fresh red spicebush. The dried red berries can be used for both savory and sweet applications, although I think they shine more when added to ice creams and baked goods, and are certainly superior to the dried green berries.
Throughout most of the year the leaves can be used.The first tiny leave buds can be thrown into a sautee pan and cooked and eaten as is, lovely added to a cream or butter sauce for fish or pasta. Some people make a sun tea of the leaves but I have never had much truck with this approach. I feel like the flavor never quite gets strong enough to be a good tea, and the leaves will ferment very quickly. This of course, is to your advantage if you are making a wild soda, beer or mead, and fresh or dried spicebush teas are a great addition to those. They also work as infusables, in things such as vinegar or alcohol in which their slow coming-on flavor wont lead to a wild bubbly. In general, however, I prefer to use dried leaves. I haven’t found that spicebush leaves dry well without using a dehydrator or bags. Placing them on trays in an open environment will dry them, but the succulence and oils of the leaves never quite depart, resulting in a dried leaf thats will spoil if stored in jars. I prefer the twig tea to a straight tea made from any of the leaves, but that from machine-dried and stored leaves is best.
In winter, leaves and berries drop off, but the fresh twigs can still be used. You will be surprised when collecting them in fall and winter how strong and resinous they smell, as this hardy bush still holds plenty of energy in its aboveground parts. This can be dried but is best used fresh–I like to make a slow-cooker tea by piling the twigs in my slow-cooker and placing on high for the better part of the day. I will often let this tea sit overnight, and strain it in the morning. Spicebush twig tea is oily, and there will be a small amount of this resinous matter on the top of the tea when you strain it. I recommend using cheesecloth if this interferes with your desired final result, or coffee filters if you are particularly delicate. I drink this tea as is (its a bracing brew), add to kombucha for secondary ferments, make into a syrup, and cook foods in it, often combined with other wild teas. It is also full of wild yeasts (which aren’t removed by slow-cookers as the liquid never comes to a boil), and can be used to ferment pickles in, although I find it is better for this purpose to combine with another similarly-prepared wild tea, such as sassafras or pine.
I have endeavored here to present an overview of spicebush, rather than a comprehensive study, and hint at its many uses. I feel that I am only beginning to understand the many uses of this native wild spice. I hope use this article as a base, and compile a list of recipes which incorporate spicebush in some form here, starting with those I have already published :
In what I hope will be the first of many such collaborations, may I present a How to Cook a Weed guest blog from my friend Paola Energya! We hooked up on Instagram over our mutual love of walking, foraging, and that most fundamental of foodstuffs, PIZZA! Check out her book, The Foraging Home Cook on Amazon. Over to you, Paola!
Do you love pizza? Do you love garlic bread? I do!
Hi, my name is Paola and I have been comparing food notes on Instagram with Mallory for a while. We both like making bread and pizza so we decided to do a little blog exchange.
A Bit of History
Pizza is a big obsession of mine (watch my video and you’ll understand why). If I could, I would have pizza every day, but I am currently limiting myself to once a week. I make my own pizza and I must say that it’s not as difficult as it sounds. You are basically letting the ingredients do all the work, I promise.
When I see my mother make pizza, it is a huge affair. The amount of ingredients she mixes in the dough is rather big, and the toppings could probably feed an army. That’s Italian mothers for you.
Simple Pizza Dough Recipe
Serves 4 people
500 gr strong bread flour
300 ml water
1 teaspoon dry yeast (instant yeast)
1 teaspoon salt
Activate the yeast in a little water for about 5 minutes (mix yeast and room temperature water together).
In a large bowl, add the yeast, flour, water and salt. Mix well for 5 minutes with a wooden spoon or a spatula. The resulting dough should be elastic.
Cover the dough either with cellophane or a lid (my preferred method, because sometimes you run out of cling film just when you need it).
Keep the dough in a warm place and let it rise for at least 8 hours but preferably 24 hours. It will more than double in size.
My tip is to then keep the dough in the fridge for 1-2 hours before baking: it will make the pizza extra crispy (I discovered that by chance).
You can choose any toppings you prefer but remember that you should put as little tomato as possible (about 2 tablespoons of tomato passata or sauce) and bake the pizza with the tomato sauce at 200 degree Celsius for 10 minutes. After 10 minutes, take the pizza out and add all the toppings, baking for a further 5-10 minutes.
Enriched Field Garlic Bread
Serves 2 people as a starter
150 gr strong bread flour
100 ml water
½ teaspoon dry yeast
1 tablespoon olive oil
1 small pinch of salt
For the garlic pesto:
1 bunch of field garlic
3-4 tablespoons olive oil
1 pinch salt
1 tablespoon sesame seeds
Mix the yeast and water (room temperature) in a bowl. Let the yeast activate for 5 minutes then add the flour, egg, oil and salt.
Cover the bowl with a lid and leave overnight (or 8 hours).
Prepare the field garlic pesto by chopping the field garlic roughly with a knife, then blitzing it in a blender together with oil, salt and sesame seeds. Blend until smooth (2-3 minutes).
Add 1-2 tablespoons of the garlic pesto to the dough (according to your taste, this pesto is quite strong). Mix lightly with a spoon to obtain a marbling effect.
Preheat the oven at 200 degrees Celsius. Transfer the dough onto a tin (or silicone mould) and bake for 20-25 minutes.
About Paola Bassanese
Hi, I’m Paola, I’m a freelance writer and author with a passion for food. Find out more.